Many magicians are avid collectors of magic tricks, DVDs, books and anything else related to their passion. Some are quite fanatical and amass thousands of volumes on the art of deception, like the Conjuring Arts Research Centre in New York shown in this video. Several such libraries exist in the world, including some academic libraries have also created collections on conjuring.
The Magic Library
Beth Kattelman from the department of theatre at Ohio State University published an article on one of these collections in Theatre Survey, published by the American Society for Theatre Research.1. Some notable academic collections of magic books and paraphernalia in Australia are the Will Alma Conjuring Collection at the State Library of Victoria in Melbourne and the Robbins Stage Magic Collection, State Library of New South Wales.2 Some other academic institutions with a magic library:
- University of Texas: McManus-Young Collection and Houdini Collection
- Brown University: H. Adrian Smith Collection of Conjuring and Magicana
- State Library of New South Wales: Robbins Stage Magic Collection.
Parallel to the literature about magic, written by magicians, a sub-genre of scientific writings from many fields of endeavour exists. These books and journal articles are mainly written for the colleagues of the professionals and scientists that created this work. Historians, social scientists, psychologists, occupational therapists, neuroscientists, film researchers and so on have deliberated on the role, workings and practical purpose of conjuring.
Most of this work is, however, locked behind pay walls and publishers charge exorbitant prices for a single ten-page journal article. Over the past three years, I have extensively researched this literature and created an online annotated bibliography on the science of conjuring to help unlock this vast resource.
Awcock, F. (2004). Will Alma, master magician. The La Trobe Journal, 74, 15–24; Gallacher, L. (2006). Casting the spell: Magic in books. The La Trobe Journal, 78, 71–87. ↩