Canadian magician Jay Sankey recently asked himself why there is such an obsession with the method of magic tricks. This obsession comes from both sides of the stage curtain. Magicians spend most of their time perfecting new ways to achieve the same old effects. Spectators are obsessed with the method because they are presented with a mystery that the magician is unwilling to explain.
Sankey is correct that almost every art form uses a kind of deception. Realistic art aims to make us believe we see something that is not there. Actors pretend to be somebody they are not, dancers hide the enormous physical strain they are under and magicians hide the real cause of the effects they create. I think that it is this focus on the method that is preventing magic from becoming an important form of performance art.
There are two reasons for this obsession: firstly, secrecy is inherent to magic because we present occurrences where the actual causal relationships are obfuscated from the spectator. This secrecy is not the case in any other form of arts where deception is used to support a story. In practical terms, the magician deceives to make something happen without physical cause while a dancer or actor deceives to tell a story or communicate an emotion.
A good example is the movie Avatar — a feast of visual deception. But because there was a story (albeit a one-dimension one), attention was moved away from the method. And the most interesting part is that movie makers even expose their methods on the obligatory “making of …” DVD so that everybody who is interested can find out how they were deceived in believing in a three-dimensional world.
Jim Steinmeyer writes in Hiding the Elephant that one can only truly understand the art of magic if you understand the magician’s secrets:
To appreciate magic as an art, you’ll have to understand not only the baldest deceptions but also the subtlest techniques. You’ll have to learn to think like a magician.
This idea has recently been confirmed through scientific enquiry. A group of people were subjected to an fMRI brain scan while watching a video of a magic trick. The research showed that looking at a trick triggers specific parts of the brain- the dorsolateral prefrontal cortex (DLPFC) and the anterior cingulate cortex (ACC) — that are associated with the detection of conflict and cognitive control. This finding means that people watching magic tricks are placed in a position where they will focus on method because as their brain seeks cognitive control.
fMRI study of impossible causal relationships in magic tricks
The cognitive control prevents spectators from truly experiencing magic as a form of art — suspension of disbelief is made impossible. Most people are well educated and do not believe in real magic, leaving little room for actual suspension of disbelief. There is also a social contract between conjurers and their spectators that although an admission of deception is made, the method will not be revealed.
Deception in the Arts
One form of magic where this is still possible is mentalism. The main reason for this is that the science of the brain is not as advanced as the science of physical objects and thus, following Clarke’s Third Law of Prediction, there is still a lot of room for people to believe in magic. Clarke’s law states that:
Any sufficiently advanced technology is indistinguishable from magic.
Because technology about how or mind works is still in its infancy, many people are prepared to believe that Uri Geller can bend metal with his mind and John Edward can communicate with deceased people. Some people believe so firmly in paranormal powers that some proclaim that English mentalist Derren Brown possesses supernatural powers, even though he clearly admits being a magician. These people believe that Brown wishes to keep his special powers a secret!
This week the controversial television show Magic’s Biggest Secrets Revealed is aired on Australian television. Too many magicians, this seems like the end of the world. Their cherished secrets are being squandered for the sake of ratings. I agree with them that these shows are not of high quality, but not because of their content.
Exposure in magic is a double edge sword. It would, of course, be self-defeating to explain tricks while performing magic, just as it would be very annoying to have the special effects in a movie explained to yo while watching the story. In the early days of filmmaking, exposure of the secret techniques to create special effects was very controversial. This knowledge is nowadays freely available, and people still watch movies!
In some way, exposure can be good for magic. The only people I ever here speaking of magic as a form of art are magicians themselves. They do so because magicians know what it takes to do good magic. Magicians do not focus on the secret but on presentation. They can switch off their cognitive control as they know the methods. This knowledge gives yo a freedom to enjoy magic at a whole different level. And lastly, the fact that magicians can quite easily be deceived supports this view.